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About Henry Purcell (1659-1695)


Henry Purcell was one of the greatest English composers, flourishing in the period that followed the Restoration of the monarchy after the Puritan Commonwealth period. Purcell spent much of his short life in the service of the Chapel Royal as a composer, organist and singer. With considerable gifts as a composer, he wrote extensively for the stage, particularly in a hybrid musico-dramatic form of the time. Most of Purcell's theatre music was written between 1690 and 1695 (the year of his death), and within that relatively brief period he supplied music for more than forty plays.

He also composed for the church and for popular entertainment, and was a master of English word-setting and of contemporary compositional techniques for instruments and voices. He died in 1695, a year after composing funeral music for Queen Mary.

About Dido and Aeneas

In 1689 Henry Purcell composed Dido and Aeneas, his only true opera, for the young women of Josias Priest's School in Chelsea, London. The libretto was by Nahum Tate (1652-1715), poet laureate and playwright, best known for writing the words to the carol "While Shepherds Watched Their Flocks By Night".

The story of the opera is rather loosely based on Vergil's Aeneid and Ovid's Fasti. Dido (also called Elissa) was a princess of Tyre, whose brother murdered her husband, causing her to flee to the coast of Libya, where she founds the great city of Carthage. Aeneas, prince of Troy turns up, after the Trojan wars, seeking refuge and a place to refit his ships on his way to Italy, where he is fated to found a great kingdom. Dido falls in love with him, but they are separated (in the original story) by Jupiter, who intends Aeneas to complete his fated journey to Italy. In the opera, Tate gives Dido a great enemy, a wicked Sorceress, who hates the Queen, and sends a witch disguised as Mercury, to remind Aeneas of his fate.

The BBC has an excellent website with more background about Purcell's opera Dido and Aeneas.

More about Dido and Aeneas in Greek mythology


Alexa Wing and Heather Eisener rehearse Mon. April 12

Our Cast
Nina Scott-Stoddart Nina Scott-Stoddart (Dido and Sorceress), contralto, is a Calgary native who moved to Lunenburg from Toronto in 2002. Nina has sung with many orchestras and opera companies, including Tafelmusik,
Opera Atelier, Opera Maine, Toronto Operetta Theatre and the International Chamber Music Festival in New Zealand. She looks forward to her debut later this year as the Duchess of Plaza Toro in The Gondoliers with the Gilbert and Sullivan Society! Nina has been recorded on the Naxos label and has been broadcast coast to coast on CBC Radio.
Baritone Jason Parkhill (Aeneas) has been working as a professional opera singer since his 1996 debut with the Connecticut Opera as Marquis D'Obigny in La Traviata.
Jason has also performed as a featured soloist with groups in Nova Scotia including Symphony Nova Scotia, Nova Sinfonia, Scotia Concert Opera, Seton Cantata Choir, Chebucto Symphony, Gilbert & Sullivan Society, Dalhousie Opera Theatre and the Walter Kemp Singers. He is a member of the voice faculty of the MCPA. studied as an undergraduate music student at Dalhousie University. Jason is also the co-founder and Music Director of the Nova Scotia Opera Association.
Sarnia, Ontario-born soprano, Alexa Wing (Belinda), has just returned from an audition tour of Germany. She is an accomplished oratorio and concert performer, having made her British recital debut in 1997,
followed by solo appearances with the Toronto Symphony, Windsor Symphony, London Fanshawe Symphonic Chorus, as well as the Aradia Baroque Ensemble.
As a returning guest artist with Toronto's Opera Anonymous, Ms Wing has appeared as Lucia and Female Chrous in Britten's The Rape of Lucretia, and Amelia in Menotti's Amelia goes to the ball. Ms. Wing has performed under the baton of conductors Mario Bernardi, Mariss Jansons, Elmer Iseler, and Daniel Lipton. She is a frequent recitalist in repertoire ranging from Bach to Alban Berg.
Mary Knickle (Second Woman/First Witch), soprano. Born in Lunenburg, Nova Scotia, Mary grew up singing traditional East Coast songs and listening to stories of the local fishermen.
She graduated from Acadia University with a music degree and subsequently studied music and theatre in New York and Toronto. Mary is a Celtic singer and songwriter of great conviction, and is well-known for the passion she brings to her music. This is her second appearance with MCO.
Tenor Christian Heyne (Sailor) grew up in a very musical family in his native Germany. He sang with the Bergedorfer Kammerchor before moving to Canada. He now lives in Rose Bay,
and has appeared with the Lunenburg Chorale, and other local groups. This is his debut with MCO.

Jennah Barry (Second Witch)

Lisa Jorgensen (Spirit)

Chorus: Marie Hogan Loker, Leslee Barry, Mary Knickle, Meghan Fischback, Lisa Jorgensen, Jennah Barry, Christian Heyne, Christopher Snarby, David Robinson

Chorus master: Heather Eisener

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Rehearsal Photos!

Mary Knickle, Lisa Jorgensen and Jennah Barry


Meghan Fischback

Heather Eisener

Leslee Barry


David Robinson and Marie Hogan Loker


Halifax Baroque Ensemble's continuo section rehearses Tues. April 6: Barbara Thompson Wilson and Patrick Heatherley

 
Maritime Concert Opera, PO Box 1819, Lunenburg, NS, Canada, B0J 2C0
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